- About the exhibition
- Artists of the exhibition
Bas Meeuws is a young photographer who is injecting the traditional Dutch genre of the flower piece with new élan. He composes his work the way the old masters did, flower by flower in luxury and splendour. The result is a layered photography that transcends time. In the area of digital photography he is a self-taught all-rounder and proficient in documentation, portraiture, nature and children. It is only in flower pieces, however, that his interests coalesce: beauty, nature, the technical challenge, meaning and art. His work is closely allied to the history and traditions of art because it is explicitly based on the still lifes of the seventeenth century. With all their polished digital beauty, the photos evoke the glory of the Dutch Golden Age.
Medardus developes his painting cycles by searching for clues in the past. For his oil paintings the artist combines motives of historical paintings or photographs with his own picture imaginations and creatures as well as with contemporary topics such as technology or aerospace. Medardus creates ambivalent, strange visual spaces, in which humans, animals and machines merge to timeless views. The artist lives and works in Switzerland.
Moto Waganari creates transparent network-sculptures which outline a delicate body frame. By illuminating his sculptures the artists multiplies his three dimensional objects by a two dimensional shadow revealing the immaterial alter ego of every figure. His characters seem to visualize a surreal, parallel world filled with surprise and enigma. Moto Waganari’s sculptures seduce the spectator with their appealing beauty and sophisticated weightlessness.
Danielle van Zadelhoff
Danielle van Zadelhoff was born in Amsterdam, Holland. Now she lives and works in Antwerp, Belgium.
In 2013 she purchased her first camera and from that moment she became obsessed with photography. The combination of photography and her education and fascination with the human psyche gives her photos a tension that leaves no one untouched. Danielle says: “I am inspired by the big themes in life, loneliness, vulnerability, the raw pure emotions in daily life. I want to capture this in the image, something that is almost invisible, but always present.” There are also a couple of images where religion comes to the surface. “I was raised in a Protestant school with a Catholic grandmother and a humanistic father. Religion is so integrated in our society and it is also a big theme in the seventeenth century painting.” It brings us to her background of restoring historical atmosphere. In her images this becomes visible through the sophisticated touch and finesse of her work and the attention to detail and proportions. Characteristic for Danielle’s work is the frequent use of Claire-obscure, a technique that was popular among the painters in the Renaissance period.