- About the exhibition
- Artists of the exhibition
Anke Eilergerhard masters the art of seduction. From silicone she creates cake-like sculptures which bewitch our senses with their voluptuous shapes and creamy surfaces. With her baroque KITCHENPLASTICS the Berlin-based artist questions clichés on femininity and occupies an unique artistic position.
Marc Fromm‘s carved reliefs and sculptures reflect the values of our every day culture. The artist introduces contemporary topics using the elaborate techniques of old mastery wood craft. Traditional religious altar scenes are reinterpreted as modern billboards just like former religious assurance is replaced by the promised land of advertising. Marc Fromm reveals the stereotypes of the advertisement industry and unmasks the fake glamour of today‘s commercialized products.
Moto Waganari creates transparent network-sculptures which outline a delicate body frame. By illuminating his sculptures the artists multiplies his three dimensional objects by a two dimensional shadow revealing the immaterial alter ego of every figure. His characters seem to visualize a surreal, parallel world filled with surprise and enigma. Moto Waganari’s sculptures seduce the spectator with their appealing beauty and sophisticated weightlessness.
Yoshiyuki Miura’s works may be considered a systematizing regulation to the omnipresent chaos. With his sculptures and installations the Japanese artist reflects the relation of space and time. He leads force and counterforce in order to bring them into balanced state of tension and release. Miura creates objects which play with our perception of three-dimensionality and intrigue us by their extraordinary simplicity, precision and beauty.
Matej Košir is a master of illusion. His laboratory is the image archive of art history. Crossing the genres of art he transforms the still lifes of famous old masters into sculptures and reproduces them by the modern medium of photography. Now, which one is the original and which one the copy? The Slovenian artist questions how we perceive and deal with those masterpieces in the age of mass media and mass reproduction - and he reveals how icons of art history become sickly-sweet fetishes.