• About the exhibition

    HEITSCH GALLERY presents FUTURE LAB - 3D at the digital ART MIAMI in cooperation with ARTSY. Using the latest 3D technology, you will gain virtual insights into the real exhibition rooms of the internationally active HEITSCH GALLERY in Munich. Visitors are invited to discover available works by contemporary artists, to request and purchase them in real-time. We are proud to present selected unique positions from Minimal- to OP-Art and figurative painting in dialogue with sculptures and photographs by JIM AVIGNON, MARCO CASENTINI, STEFAN FAAS, ANGELA GLAJCAR, CHRISTIANE GRIMM, ROLAND HELMER, ZSUZSANNA KORODI, EIKE KÖNIG, MARCK, JÜRGEN PAAS, ANTONIO MARRA, UDO NÖGER, DIRK SALZ, SLAVA SEIDEL, RALF SCHMERBERG, HENNING VON GIERKE and MOTO WAGANARI

    Also feel free to take a look at our digital BOOKLET.

    What can be experienced online and virtually can be encountered in real time here in Munich. In an exclusive setting, we cordially invite you and your companion to an individual guided tour by appointment at info@heitschgallery.com. Send us your desired date or simply give us a call. We look forward to your ideas and your visit. It goes without saying that masks are compulsory and that there are distance regulations.

    Whether by telephone or video chat, we will adapt to your wishes. A guided tour on site or virtually in real-time through the gallery offers interested customers an intensive and personal exchange about individual artistic positions, details of their works and their biographical background.

    Enjoy art!

    Jörg Heitsch and the team of the HEITSCH GALLERY look forward to your visit.

    • Artists of the exhibition 
    • Ralf Schmerberg

      Ralf Schmerberg’s artistic practice explores the boundaries of society, continuously expanding and redefining them. Looking closely at those around him, his photographs enter the various layers of humanitas to conjure up new emotional spaces. Schmerberg acts on impulse, rejecting the idea of staged or carefully constructed compositions in favour of intuitive moments that are given form in an image. A searcher by nature, Schmerberg uses art as a tool to pursue his spiritual quest. This perpetual process of seeking and finding is ultimately what he documents in his works.
      Please visit our VIRUAL EXHIBITION. on Ralf Schmerberg.

      Stefan Faas

      The highly polished surface of the mirrored steel gives the sculptures of Stefan Faas an additional, significant dimension. In addition to the form of the piece and its relation to the space around it, now reflection comes into play. The viewer and everything else around the piece is mirrored in the gleaming surface, becoming a part of the art itself. In a certain derived sense, it’s a reflection about one’s own identity: who am I, and how do I as
      an individual relate to the rest of society? This depth of content stands in dialogue with the consistency of form, making the works of Stefan Faas into highly sought-after works of art with a timeless aesthetic. Quickly walking by them, all the figures appear to share a similar, an- thropomorphic appearance, but upon closer observation of the sculptures, very different personas begin to emer- ge. Recognizing the details requires a considerable degree of engagement on the part of the viewer, of course, in which case each perceiver will take in a different, unique range of expe- riences.


      The video sculptures by Swiss artist MARCK are more than a simple combination of video and sculpture: They are a logic consequence of his extensive examination with films and videos, multimedia based projects, performances, music and sculptural as well as kinetic objects. The examination of humans and their world of feelings is central to MARCK's oeuvre.

      Henning von Gierke

      For many years now, renowned Munich-based artist Henning von Gierke has been fascinating his public with his realistic style of painting. In his works, the artist questions human existence in the context of nature, religion and philosophy. Besides classical themes from Greek mythology and religious imagery, von Gierke also paints portraits, still-lives and domestic themes within his extensive artistic oeuvre. Beyond creating astonishing pictures on canvas, he is also well known as a stage-designer and director worldwide. For his creative impact in the film industry, he received two of the most acclaimed film awards in Germany - the German Movie Award in Gold and the Silver Bear at the Berlinale.

      Christiane Grimm

      Christiane Grimm creates objects with different layers of glass and other materials which are arranged in such a manner, that the incoming light creates an almost holographic effect. Grimm experiments with the potential of color and with the brightening in subtle transitions. They are poetic constructs and illusionistic architectures out of clear, seemingly floating plains – achromatic and chromatic. The arrangement of the different elements makes it hardly possible to locate them perspectively within space. Moreover there are irritating optical effects which make it even more difficult to grasp Grimm's artworks which can be located somewhere between painting, sculpture and architecture.

      Angela Glajcar

      Angela Glajcar's paper sculptures mostly hang, floating in the air. They seem light and delicate, however they show a strong sculptural presence. Terforation is the title of Angela Glajcar's cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns evoke associations with glacial or rock formations while light and shadow fall on the surface of the sheets, enlivening the interior of the oblong structure. The viewer is led into fascinating rooms of harmony and silence.

      Antonio Marra

      Antonio Marra’s abstract works remain truly fascinating due to their surprising change of form and colour. Each of his multi-perspective paintings contains several more pictures which reveal themselves by circling around the canvas. Step by step the spectator is drawn into a vivid and dynamic kaleidoscope of shape and colour. Marra’s art is a surprising experience of unique visual and dimensional effects. This painter has come to his very own style reflecting and redefining the techniques of Op-art and Orphism.

      Dirk Salz

      Dirk Salz works on paintings whose most striking feature is their high-gloss surfaces. These are the result of the use of multi-layered epoxy resins coated with pigments and the sealing with polyurethane varnish. The images of Dirk Salz always aim at the experience of the temporality of the seeing. They demand an active viewer, who takes the time to move back and forth, back and forth, before the initially closing works, in order to open up their complexity so slowly. Reflection in this work is thus in two forms in the game: optically as the mirroring property of the picture surfaces, as a reflection-aesthetic as the reflection of the viewer on his own visual experience.

      Marco Casentini

      Marco Casentini explores in his work spatial dynamics of color, texture and shape. He is inspired by designs of urban space and reflects geometrical and architectural questions. By decoding environments and urban structures that he perceives immediately, he deconstructs and interprets designs of architects, engineers and town planners. Casentinis use of radiant, bright or strong colors is stimulated by southern Californian or Mexican paintings of houses and dematerializes their architectural surfaces.

      Eike König

      Eike König is a ’world renowned graphic designer‘ and founder & creative director of Berlin-based creative collective HORT. Eike’s artistic work is celebrated for it's conceptual, emotional, visual - sometimes playful, but always deliberate approach. Eike is also a professor at the University of Arts, HfG Offenbach.

      Roland Helmer

      Since the 60s, Roland Helmer develops his constructive and concrete work with the utmost consequence. His abstract-geometric early work shows clear forms, quiet areas and is limited to a maximum of 7 or 8 bright colors. The variety of shapes is reduced in later work on narrow and wide lines in a vertical and horizontal screen layout. The color palette expands on certain issues by blends and underpainting with white and black.

      Jœrg Heitsch

      Jœrg Heitsch studied free painting at the Art Institute of Chicago as well as with Jörg Immendorf and Helmut Sturm at the Academy of Fine Arts in Munich. His artistic work moves between Minimalism, Concrete Art and Op-Art. In 1993, during a stay in San Francisco, he developed the ongoing project "Opening Worlds", which deals with the history of evolution on Earth at the interface of science and art. In 1994, Jörg Heitsch founded the KUNSTNETZWERK Galerie für internationale zeitgenössische Kunst at Gärtnerplatz in Munich, which today continues as the Heitsch Gallery. His work as a gallery owner has always been characterized by his content-related and formal engagement as an artist. Jörg Heitsch has developed and implemented numerous cultural concepts at the interface of art, communication and market.

      Udo Nöger

      Udo Nöger attended Fachhochschule, Bielefeld University, and has studied in Paderborn, Berlin and Spain. Thanks to winning Nixdorf Grant, he spent some time in the early 90’s in New York, NY and Denver, CO.

      Nöger aims to bring out the luminescence of paint in his practice. The artist is known for monochromatic gray works that give the impression of emitting light. Nöger achieves this effect by stretching multiple pieces of fabric or canvas onto one frame; he either paints on or cuts shapes into the different layers beforehand. As a result, the work appears lighter and more transparent in certain parts. Nöger has also been known to paint on the underside of the fabric, and to use materials of varying thickness and opacity.

      Udo Nöger’s paintings, which appear at first glance to be gestural Abstract Expressionism transmuted to a subtle, luminous palette of pale silvery grays, whites and off-whites, change as the viewer moves in and out or changes the angle of view, as well as the level and quality of light falling on and reflected back from the works. The scumbled surfaces and tubular forms (which look airbrushed, but are not) change in sharpness (and thus implied depth) and even color. The wall color may be visible, and possibly also the floor; it’s difficult to decipher how these works operate. With their abstract illusionism perfectly calibrated, they’re spatially ambiguous.

      Dirk Salz

      Dirk Salz works on paintings whose most striking feature is their high-gloss surfaces. These are the result of the use of multi-layered epoxy resins coated with pigments and the sealing with polyurethane varnish. The images of Dirk Salz always aim at the experience of the temporality of the seeing. They demand an active viewer, who takes the time to move back and forth, back and forth, before the initially closing works, in order to open up their complexity so slowly. Reflection in this work is thus in two forms in the game: optically as the mirroring property of the picture surfaces, as a reflection-aesthetic as the reflection of the viewer on his own visual experience.

      Jürgen Paas

      Jürgen Paas creates circles, rectangles, squares, cubes and translates them into an open painting system, which surveys individual aspects such as color, form and space. Here, he combines system and order with chance and regularity, which manifests itself in an extremely varied and sensuous material painting. Wall-painted, glued and assembled different-color figurations are in dialogue with the archive systems placed on them or on top of them, made of brackets, color plates or ribbons. The interplay of regular geometrical forms suggests a rhythmic spatial sound that, in the context of synesthetic perception, brings a polyphonic overall work of art into view.

      Jim Avignon

      All-round artist Jim Avignon is internationally renowned as a painter, musician, performance-artist and writer. His naive cartoon style is deceiving - with a touch of irony he questions our capitalistic globalised world. His fast and low priced mass production sabotages the strategies of the art market and disapproves of financial speculation. Although Avignon is long since considered an iconic figure in the Berlin art- and music scene he still manages to cross the boundaries of mainstream and underground.

      Jessus Hernandez

      Jessus Hernandez lives and works in Southern California. He is a self-taught artist drawing inspiration from the diversity that abounds. Architecture and nature converge in his creations where he infuses vibrant color, linear form, dimension, light, and space to create geometric abstract art forms in a vast array of superimposed perspectives. Always intrigued with the placement of shapes and lines in cityscapes, he developed a love for architectural design which became the foundation for his artistic visions.

      Slava Seidel

      The magical compositions by the Russian painter Slava Seidel visualize a world shifting between truth and illusion. Her sepia-ink drawings depict surreal scenes in stupendous architectural settings which create a feeling of tension, vertigo and dynamic. The artist masters to depict even the most complex architectural structures in contortion - despite the challenging ink-technique which does not allow any later corrections. Seidel’s technical precision is just as remarkable as her imaginary gift which takes us to unknown, fantastic realities.

Artworks of the exhibition

With works by Ralf Schmerberg, Stefan Faas, Marck, Henning von Gierke, Christiane Grimm, Angela Glajcar, Antonio Marra, Dirk Salz, Marco Casentini, Eike König, Roland Helmer, Jœrg Heitsch, Udo Nöger, Dirk Salz, Jürgen Paas, Jim Avignon, Jessus Hernandez, Slava Seidel