- About the exhibition
The HEITSCH GALLERY transforms the conventional gallery into a communication platform for creative people. We offer art lovers a service of a very special kind in the coming months. Live-streamings, digital moderated artist talks and videos give insights into the gallery and behind the scenes of artistic creation, complemented by the possibility to visit our gallery in digital rooms.
On site in our premises at Munich's Gärtnerplatz we offer interested parties a service that has never been available before. By appointment, we can put together an exclusive presentation of your favourite artist for up to two people. This service is not limited to the gallery, as we also offer the possibility to install a work of art of your choice free of charge in the Munich area (up to one meter in size) in your home or business. Just send us an email to INFO@HEITSCHGALERIE.DE or contact us by phone at 089 269 49 110.
The digital possibilities offer room for innovation and new perspectives on the world of tomorrow. The emerging and already established artists of the HEITSCH GALLERY, whose art is deeply rooted in traditional art history, present their works of art in dialogue with the Old Masters and the great names of modernity. Through our new exhibition concept they become an innovative part of the digital and real art world.
We are proud to present the following artists as part of the FUTURE LAB project:
EIKE KÖNIG, MOTO WAGANARI, MARCK, RALF SCHMERBERG, ANTONIO MARRA, JIM AVIGNON, MARCO CASENTINI, MARC FROMM, GYÖRGY GASPAR, DIRK SALZ, ANGELA GLAJCAR, JOERG HEITSCH, ROLAND HELMER, SLAVA SEIDEL, HENNING VON GIERKE, JÜRGEN PAAS, MEDARDUS, UDO NÖGER, CHRISTIAN GRIMM, ZSUZSANNA KORODI
In our digital BOOKLET you will find an overview of the selected artists and some of their works.
You are also welcome to visit our current VIRTUAL EXHIBITION on the artists Roman Klonek and Ralf Schmerberg.
- Artists of the exhibition
Eike König is a ’world renowned graphic designer‘ and founder & creative director of Berlin-based creative collective HORT. Eike’s artistic work is celebrated for it's conceptual, emotional, visual - sometimes playful, but always deliberate approach. Eike is also a professor at the University of Arts, HfG Offenbach.
Moto Waganari creates transparent network-sculptures which outline a delicate body frame. By illuminating his sculptures the artists multiplies his three dimensional objects by a two dimensional shadow revealing the immaterial alter ego of every figure. His characters seem to visualize a surreal, parallel world filled with surprise and enigma. Moto Waganari’s sculptures seduce the spectator with their appealing beauty and sophisticated weightlessness.
Ralf Schmerberg’s artistic practice explores the boundaries of society, continuously expanding and redefining them. Looking closely at those around him, his photographs enter the various layers of humanitas to conjure up new emotional spaces. Schmerberg acts on impulse, rejecting the idea of staged or carefully constructed compositions in favour of intuitive moments that are given form in an image. A searcher by nature, Schmerberg uses art as a tool to pursue his spiritual quest. This perpetual process of seeking and finding is ultimately what he documents in his works.
Please visit our VIRTUAL EXHIBITION on Ralf Schmerberg.
The video sculptures by Swiss artist MARCK are more than a simple combination of video and sculpture: They are a logic consequence of his extensive examination with films and videos, multimedia based projects, performances, music and sculptural as well as kinetic objects. The examination of humans and their world of feelings is central to MARCK's oeuvre.
Medardus developes his painting cycles by searching for clues in the past. For his oil paintings the artist combines motives of historical paintings or photographs with his own picture imaginations and creatures as well as with contemporary topics such as technology or aerospace. Medardus creates ambivalent, strange visual spaces, in which humans, animals and machines merge to timeless views. The artist lives and works in Switzerland.
György Gáspár's work can be associated with deconstructive architecture. Fragments of sculptural forms are recognizable, reminiscent of a mathematical system. In a certain way, the organic network of precise geometric lines and elements inside the glass seems to expand. Deep psychic experiences become possible. In a complicated process, the artist layers differently painted transparent glass panes on top of each other, thus creating his glass sculptures. The classical character of the glass, its brilliance and its imposing appearance play less of a role here. His focus on deconstruction is apparent in the strong contrast between the outer form and the inner system. Gáspár not only overcomes traditional sculptural principles by focusing on architectural disciplines, but also explores the border between image and sculpture.
„I always think in layers. The layers induce parallel and perpendicular images, which move in both space and time, and characterized by a repeating rhythm. In my sculptures and images, the visual image, movement, or geometry of light is always created between two such layers at a given distance from one other. I incorporate handcraft, as well as industrial and digital technologies in my work. I combine these to evoke the delicate contrasts that helps me expose a given problem. I am mostly interested in monochromatic plane-forms and, lately, in color transitions. I create upscaled lenticular lenses out of glass rods by cutting, polishing and glueing. These big lenses gave me the opportunity to get multiple phases of the same image just like an animation. The image is moving and changing with the viewers moves and not only to two directions. If you stand front of the image and steps closer and closer you will see more and more colors as the focus of the lens is changing. I used squares and rectangles to visualize the pixels of a screen with vivid colors. I also played with the 'resolution' of the pixels to get the composition. The colors next to each other generates optically mixed colors like in pointillism.”
Roman Klonek is known to be of the leading artists in the German graphic arts scene. As a student he worked on his first wood cut and can't get off it ever since. His humorous prints depict colourful, imaginary landscapes filled with bizarre characters. Exotic letterings all over the image arouse even more questions instead of helping us to decipher the unusual scenes. By now Klonek has created his very own fancyful cosmos of odd creatures all being inspired by the Eastern European cartoons of his childhood.
Dirk Salz works on paintings whose most striking feature is their high-gloss surfaces. These are the result of the use of multi-layered epoxy resins coated with pigments and the sealing with polyurethane varnish. The images of Dirk Salz always aim at the experience of the temporality of the seeing. They demand an active viewer, who takes the time to move back and forth, back and forth, before the initially closing works, in order to open up their complexity so slowly. Reflection in this work is thus in two forms in the game: optically as the mirroring property of the picture surfaces, as a reflection-aesthetic as the reflection of the viewer on his own visual experience.
Jessus Hernandez lives and works in Southern California. He is a self-taught artist drawing inspiration from the diversity that abounds. Architecture and nature converge in his creations where he infuses vibrant color, linear form, dimension, light, and space to create geometric abstract art forms in a vast array of superimposed perspectives. Always intrigued with the placement of shapes and lines in cityscapes, he developed a love for architectural design which became the foundation for his artistic visions.
Henning von Gierke
For many years now, renowned Munich-based artist Henning von Gierke has been fascinating his public with his realistic style of painting. In his works, the artist questions human existence in the context of nature, religion and philosophy. Besides classical themes from Greek mythology and religious imagery, von Gierke also paints portraits, still-lives and domestic themes within his extensive artistic oeuvre. Beyond creating astonishing pictures on canvas, he is also well known as a stage-designer and director worldwide. For his creative impact in the film industry, he received two of the most acclaimed film awards in Germany - the German Movie Award in Gold and the Silver Bear at the Berlinale.
All-round artist Jim Avignon is internationally renowned as a painter, musician, performance-artist and writer. His naive cartoon style is deceiving - with a touch of irony he questions our capitalistic globalised world. His fast and low priced mass production sabotages the strategies of the art market and disapproves of financial speculation. Although Avignon is long since considered an iconic figure in the Berlin art- and music scene he still manages to cross the boundaries of mainstream and underground.
Marco Casentini explores in his work spatial dynamics of color, texture and shape. He is inspired by designs of urban space and reflects geometrical and architectural questions. By decoding environments and urban structures that he perceives immediately, he deconstructs and interprets designs of architects, engineers and town planners. Casentinis use of radiant, bright or strong colors is stimulated by southern Californian or Mexican paintings of houses and dematerializes their architectural surfaces.
Marc Fromm‘s carved reliefs and sculptures refelct the values of our every day culture. The artist introduces contemporary topics using the elaborate techniques of old mastery wood craft. Traditional religious altar scenes are reinterpreted as modern billboards just like former religious assurance is replaced by the promised land of advertising. Marc Fromm reveals the stereotypes of the advertisement industry and unmasks the fake glamour of today‘s commercialized products.
Angela Glajcar's paper sculptures mostly hang, floating in the air. They seem light and delicate, however they show a strong sculptural presence. Terforation is the title of Angela Glajcar's cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns evoke associations with glacial or rock formations while light and shadow fall on the surface of the sheets, enlivening the interior of the oblong structure. The viewer is led into fascinating rooms of harmony and silence.
Since the 60s, Roland Helmer develops his constructive and concrete work with the utmost consequence. His abstract-geometric early work shows clear forms, quiet areas and is limited to a maximum of 7 or 8 bright colors. The variety of shapes is reduced in later work on narrow and wide lines in a vertical and horizontal screen layout. The color palette expands on certain issues by blends and underpainting with white and black. In painting concrete and constructive, he is one of those designers who bring a personal picture as part of an imaging system.
Antonio Marra’s abstract works remain truly fascinating due to their surprising change of form and colour. Each of his multi-perspective paintings contains several more pictures which reveal themselves by circling around the canvas. Step by step the spectator is drawn into a vivid and dynamic kaleidoscope of shape and colour. Marra’s art is a surprising experience of unique visual and dimensional effects. This painter has come to his very own style reflecting and redefining the techniques of Op-art and Orphism.
Herbert Mehler’s steel sculptures embody archaic shapes from nature and geometry which may be associated with organic forms of plants and buds. „I am convinced that everyone of us has incorporated a set of basic patterns which affect the human perception.“ The sculptor intertwines organic and tectonic principles - the folded surfaces of his objects remind us of tree bark as well as classical Greek columns. Mehler’s curvelinear objects bend and turn suggesting energetic impetus as a metaphor for organic growth and vitality.
Udo Nöger attended Fachhochschule, Bielefeld University, and has studied in Paderborn, Berlin and Spain. Thanks to winning Nixdorf Grant, he spent some time in the early 90’s in New York, NY and Denver, CO.
Nöger aims to bring out the luminescence of paint in his practice. The artist is known for monochromatic gray works that give the impression of emitting light. Nöger achieves this effect by stretching multiple pieces of fabric or canvas onto one frame; he either paints on or cuts shapes into the different layers beforehand. As a result, the work appears lighter and more transparent in certain parts. Nöger has also been known to paint on the underside of the fabric, and to use materials of varying thickness and opacity.
Udo Nöger’s paintings, which appear at first glance to be gestural Abstract Expressionism transmuted to a subtle, luminous palette of pale silvery grays, whites and off-whites, change as the viewer moves in and out or changes the angle of view, as well as the level and quality of light falling on and reflected back from the works. The scumbled surfaces and tubular forms (which look airbrushed, but are not) change in sharpness (and thus implied depth) and even color. The wall color may be visible, and possibly also the floor; it’s difficult to decipher how these works operate. With their abstract illusionism perfectly calibrated, they’re spatially ambiguous.
Jürgen Paas creates circles, rectangles, squares, cubes and translates them into an open painting system, which surveys individual aspects such as color, form and space. Here, he combines system and order with chance and regularity, which manifests itself in an extremely varied and sensuous material painting. Wall-painted, glued and assembled different-color figurations are in dialogue with the archive systems placed on them or on top of them, made of brackets, color plates or ribbons. The interplay of regular geometrical forms suggests a rhythmic spatial sound that, in the context of synesthetic perception, brings a polyphonic overall work of art into view.
Albert Paley, an active artist for over 40 years at his studio in Rochester, New York, is the first metal sculptor to receive the coveted Institute Honors awarded by the American Institute of Architects, the AIA’s highest award to a non- architect. “The allure of Paley’s art comes through its intrinsic sense of integration of art and architecture,” as one noted architect stated. Paley, Distinguished Professor, holds an Endowed Chair at the College of Imaging Arts and Sciences at Rochester Institute of Technology.
Commissioned by both public institutions and private corporations, Paley has completed more than 50 site-specific works. Some notable examples are the Portal Gates for the Renwick Gallery of the Smithsonian Institution in Washington DC, Synergy, a ceremonial archway in Philadelphia, the Portal Gates for the New York State Senate Chambers in Albany, Sentinel, a monumental plaza sculpture for Rochester Institute of Technology, as well as a 65-foot sculpture for the entry court of Bausch and Lomb’s headquarters in Rochester, NY. Recently completed works include three sculptures for the National Harbor development near Washington DC, a 130’ long archway named Animals Always for the St. Louis Zoo, a gate for the Cleveland Botanical Gardens in Cleveland, OH, a sculptural relief for Wellington Place, Toronto, Canada, Threshold, a sculpture for the Corporate Headquarters of Klein Steel, Rochester, NY, and Transformation, a ceremonial entranceway for Iowa State University in Ames, Iowa.
Pieces by Albert Paley can be found in the permanent collections of many major museums including the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, the Museum of Fine Arts in Houston, and the Victoria and Albert Museum in London.
Broadly published and an international lecturer, Paley received both his BFA and MFA from the Tyler School of Art in Philadelphia. He received honorary doctorates from the University of Rochester in 1989, the State University of New York at Brockport in 1996, St. Lawrence University, in Canton, New York in 1997, and the University of Gothenburg, in Sweden in 2012.
The magical compositions by the Russian painter Slava Seidel visualize a world shifting between truth and illusion. Her sepia-ink drawings depict surreal scenes in stupendous architectural settings which create a feeling of tension, vertigo and dynamic. The artist masters to depict even the most complex architectural structures in contortion - despite the challenging ink-technique which does not allow any later corrections. Seidel’s technical precision is just as remarkable as her imaginary gift which takes us to unknown, fantastic realities.
Matthias A. K. Zimmermann
The model worlds of the Swiss painter and media artist Matthias A. K. Zimmermann reflect on and research the history of art, design and media. Elements and objects of the past and present form complex images borrowed from the Middle Ages, the Asian cultural area and the digital modern age. Zimmermann's creative process falls under the phrasing of artistic research. His model worlds distill the spatial composition of medieval panel paintings, examine the development of digital visual languages and fan out the levels of virtual spaces. Source code, computer game graphics, Japanese gardens, Buddhist symbolism and icon painting form a fascinating topology of space and time.