- About the exhibition
- Artists of the exhibition
Dirk Salz works on paintings whose most striking feature is their high-gloss surfaces. These are the result of the use of multi-layered epoxy resins coated with pigments and the sealing with polyurethane varnish. The images of Dirk Salz always aim at the experience of the temporality of the seeing. They demand an active viewer, who takes the time to move back and forth, back and forth, before the initially closing works, in order to open up their complexity so slowly. Reflection in this work is thus in two forms in the game: optically as the mirroring property of the picture surfaces, as a reflection-aesthetic as the reflection of the viewer on his own visual experience.
Angela Glajcar's paper sculptures mostly hang, floating in the air. They seem light and delicate, however they show a strong sculptural presence. Terforation is the title of Angela Glajcar's cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns evoke associations with glacial or rock formations while light and shadow fall on the surface of the sheets, enlivening the interior of the oblong structure. The viewer is led into fascinating rooms of harmony and silence.
Yoshiyuki Miura’s works may be considered a systematizing regulation to the omnipresent chaos. With his sculptures and installations the Japanese artist reflects the relation of space and time. He leads force and counterforce in order to bring them into balanced state of tension and release. Miura creates objects which play with our perception of three-dimensionality and intrigue us by their extraordinary simplicity, precision and beauty.
The Czech artist Rudolf Burda is fascinated by glass and is professionally engaged in the creation of glass objects and sculptures.
“The greatest inspiration for me is the universe that is fulfilling my life’s credo of being the energy of the big bang, which has neither beginning nor ending. In my creativity, I’m following minimalistic legacy and I am searching for the ideal and pure form, which is perceived as “gestalt” – “an organized whole”. My aim is to contribute to the preservation of the old tradition of hand-blown glass together with developing and perfecting it. I hope to evoke in a viewer understanding of time and space, formed from a continuous flow of energy, which reflects all reality but at the same time, it creates and it swallows. In my works, I preserve the old tradition of hand-blown glass and on the other side, I am aimed to represent a new concept of layered glass and unique aesthetics of material.“
Herbert Mehler’s steel sculptures embody archaic shapes from nature and geometry which may be associated with organic forms of plants and buds. „I am convinced that everyone of us has incorporated a set of basic patterns which affect the human perception.“ The sculptor intertwines organic and tectonic principles - the folded surfaces of his objects remind us of tree bark as well as classical Greek columns. Mehler’s curvelinear objects bend and turn suggesting energetic impetus as a metaphor for organic growth and vitality.